Just search “Paulo Martelli Plays Koyunbaba.” The video is professionally produced and the sound quality is excellent. There are a number of. I heard that there is more than one way to tune our guitar to play this. Koyunbaba piece. My question is: which tuning would sound better. KoyunbabaSuite fur Gitarre (op) I Carlo Domeniconi Moderato «««««bˆ «««««ˆ«ww œ.

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Koyunbaba – Classical Guitar

I am even considering stringing up a second guitar with normal basses and lighter trebles to compensate. Here is link to album: Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp. The list of Domeniconi’s published compositions includes more than titles. Views Read Edit View history.

Topics archived from Public Space and its subforums after a long period of inactivity, or redundant for some other reason. Domeniconi with a Luigi Mozzani guitar from Having said that, Martelli’s Presto is a bit one-dimensional compared to others I’ve heard.


Has anyone else experimented with ways to make the strings feel more uniformly tensioned for Koyunbaba? This page was last edited on 25 Novemberat One of the works inspired by Turkish music, the Koyunbaba suite of —86, eventually became Domeniconi’s most well-known work. However, I’ve heard this piece so often I’ve been playing the first three parts for two years now, about 3 to 4 times a week that it’s becoming difficult for me to be wowed by other performers.


Last edited by tsulej on Wed Feb 26, 8: His works explore and borrow from a wide variety of national traditions, including Turkish, Indian, Brazilian, and many more.

Koyunbaba, suite for guitar, Op. 19

Retrieved 14 January Carlo Domeniconi born 20 February [1] is an Italian guitarist and composer. Hey guys, I have just taken on Koyunbaba because I already play the Duarte Musikones and I think they’ll make a great set together, but I am finding that the scordatura presents a pretty marked variation in string tensions.

Please consider supporting us by disabling your ad blocker on our website. The liner notes to a recording made by Domeniconi in for a Turkish record label state that the work is a suite pastoraledescribing “the natural beauty of a little bay” overlooking the Aegean Seawhere the saint was said to live centuries ago.

This section is read-only. I gguitar heard this piece a couple of months ago so it’s much newer to me, and I suspect that I’m not able to judge the nuances in style and technique to the degree that you are.

By using this site, you agree to the Terms of Use and Privacy Policy. I’ve yet to begin exploring it properly, so I’ll be a bit more humble in that particular regard. He received his first formal guitar lessons in from Carmen Lenzi Mozzani, granddaughter of the famous guitarist and luthier Luigi Mozzani. The 4th part – Presto – is something else, technically. Forum rules Topics archived from Public Space and its subforums after a long period of inactivity, or redundant for some other reason.


From Wikipedia, the free encyclopedia. Link to copyrighted material removed. Domeniconi actually encourages people to improvise in Koyunbaba, but only very, very few people gultar so. Unfortunately youtube video has poor quality. Making rapid progress, he won first prizes kounbaba the Ancona International Festival of Guitar in and I think Domeniconi’s own performance, and the one by John Williams mind you, I’m not a JW-fan per se still stand out quite a bit, for very different guitaf – JW the technical wizard and perfectionist, Domeniconi the extravert, improvising virtuoso.

Throughout the s it was particularly frequently programmed in concerts and recorded by numerous performers. Our website is made possible by displaying online advertisements to our visitors. Thanks for the help! koyuhbaba

Board index All times are UTC. Educational music has been a particularly important field for Domeniconi, as numerous works he composed for young players attest, such as Klangbilder Sound Pictures24 Preludesand Eine kleine Storchsuite. Domeniconi was born in CesenaItaly. I’ve only rediscovered my classical guitar in the last year and I’m well behind you in my development.

Domeniconi’s style is characterized by his adoption of multicultural influences.